Peacework
July/August 2002



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Peacework Magazine

Patrica Watson, Editor

Sara Burke, Assistant Editor

Pat Farren, Founding Editor

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Peacework has been published monthly since 1972, intended to serve as a source of dependable information to those who strive for peace and justice and are committed to furthering the nonviolent social change necessary to achieve them. Rooted in Quaker values and informed by AFSC experience and initiatives, Peacework offers a forum for organizers, fostering coalition-building and teaching the methods and strategies that work in the global and local community. Peacework seeks to serve as an incubator for social transformation, introducing a younger generation to a deeper analysis of problems and issues, reminding and re-inspiring long-term activists, encouraging the generations to listen to each other, and creating space for the voices of the disenfranchised.

Views expressed are those of the authors, not necessarily of the AFSC.

Portraits from Death Row

Final Exposure: Portraits from Death Row, Lou Jones and Lorie Savel, edited by Michael Radelet, foreword by Gerry Spence. Northeastern University Press, 1996. Final Exposure will be reissued this fall by the American Friends Service Committee. The following excerpt is from the preface, by Lou Jones, to the forthcoming new edition.

Harold Lamont
Harold Lamont "Wili" Otey, Nebraska State Penitentiary, Lincoln, NE
 
Over the years I had observed how history, politics, religion, and the law had struggled with the death penalty. So much information was abstract and oblique. The dialogue had been divisive and strident. But since childhood I had been uncomfortable having my government killing people in my name.

As a citizen, I was distressed by the continuous need to struggle against bad decisions by those entrusted to represent me. As an artist I was interested in what contribution I could make to the debate. During my career I had been intrigued by how everyone made such personal attachments to many of the portraits I had taken. If photography had such power, maybe it could substitute for the real thing. If I could make just a few images of men and women undergoing this ordeal, maybe their humanity could become part of the equation. No excuses could dilute the acts of murder committed in this country, but I saw capital punishment as just exacerbating the problem. At least photography would give those concerned an unprecedented view of the individuals they were killing. No more abstractions.

  LaFonda Fay Foster
LaFonda Fay Foster, Fayette County Detention Center, Lexington, KY
The gauntlet of visiting more than a dozen death rows in the USA was not without a tremendous toll. Over the years I have fought off guilt and nightmares. At the least expected moment anything would conjure up the experiences and discomfort of dungeon after dungeon. Time has dissipated most of the bad dreams and made me less sensitive to the memories. But the debate goes on.

--Lou Jones is an award-winning photographer and photojournalist. To see more of his work, visit www.fotojones.com.

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